Currents in Venetian Music Theory: The Consolidation of Music and Rhetoric Currents in Venetian Literary and Linguistic Theory: The Consolidation of Poetry and Rhetoric 123 126 Bembism on the Terraferma and in the Lagoon 133 Poetry as Ciceronian Oratory 138 Decorum, Imitation, and the Canonization of Petrarch 145 Variazione as Musical Dialectic 6. The Legacy of Pietro Bembo, Ratified and Recast 96 Polyphony and Poetry, High and Low 102 Improvised Song 116 Afterword Ritual Language, New Music: Encounters in the Academy of Domenico Venier
Gottardo Occagna 63 Antonio Zantani 81 Appendix: Marco Trivisano 4. Petrarchizing the Patron: Vernacular Dialogics and Print Technology Florentines in Venice and the Madrigal at Homeģ. ML2633.8.V46F4 1995 782.4'3'094531 dc20 94-31376 CIP Printed in the United States of America 9 8 7 6 5 4 3 2 1 The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984.įOR MA AND PA. ISBN 4-8 (alk. paper) 1. Madrigals, Italian Italy Venice History and criticism. 2. Venice (Italy) Civilization To 1797. City culture and the madrigal at Venice / Martha Feldman.
London, England © 1995 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Feldman, Martha. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. Publication of this book was made possible by generous grants from the National Endowment for the Humanities, the Gladys Krieble Delmas Foundation, the American Musicological Society, the Chicago Humanities Institute, and the General Endowment Fund of the Associates of the University of California Press. Title: author: publisher: isbn10 | asin: print isbn13: ebook isbn13: language: subject publication date: lcc: ddc: subject:Ĭity Culture and the Madrigal at Venice Martha Feldman